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Paper can be torn, burned, destroyed, but when thoughtfully cared for it becomes symbolic. The first time I encountered this work was at the LÔCÔ Art Market last year. I had never seen origami like it before and felt compelled to know who was behind it all. Months later, I finally met him, a twenty-eight-year-old contemporary artist, Dong—4.
Paper can be torn, burned, destroyed, but when thoughtfully cared for it becomes symbolic. The first time I encountered this work was at the LÔCÔ Art Market last year. I had never seen origami like it before and felt compelled to know who was behind it all. Months later, I finally met him, a twenty-eight-year-old contemporary artist, Dong—4.
The Vietnamese have the quán nhậu, the French have the bistro, and the Italians have the trattoria. While all of these eateries are great and I love every one for their uniqueness, none will ever top the izakaya. That's why I've got to tell you about Kaku.
The Vietnamese have the quán nhậu, the French have the bistro, and the Italians have the trattoria. While all of these eateries are great and I love every one for their uniqueness, none will ever top the izakaya. That's why I've got to tell you about Kaku.
Ever since she was a young girl, Tu has been fascinated with ideas. Sex. Love. Gender. Politics. Anthropology. Her curiosity for other people and how they think, feel, and act in the world knew no bounds. Nothing is ever fully off the table. Everything is up for debate.
Ever since she was a young girl, Tu has been fascinated with ideas. Sex. Love. Gender. Politics. Anthropology. Her curiosity for other people and how they think, feel, and act in the world knew no bounds. Nothing is ever fully off the table. Everything is up for debate.
A lot of my night's in Saigon have started or ended at Khoai. On top of reminding me of Shimokitazawa, a neighbourhood in my hometown of Tokyo, it ticks all the right boxes: the staff are friendly, the food and drinks never disappoint, and the ambience always puts you in the right mood.
A lot of my night's in Saigon have started or ended at Khoai. On top of reminding me of Shimokitazawa, a neighbourhood in my hometown of Tokyo, it ticks all the right boxes: the staff are friendly, the food and drinks never disappoint, and the ambience always puts you in the right mood.
Life often feels like an uphill battle. Whenever you try to change something, do some good, or turn a negative into a positive, it can feel as if the world pushes back. Chelsey has dealt with this her whole life and yet hearing her story, I learned that she's never let that stop her.
Life often feels like an uphill battle. Whenever you try to change something, do some good, or turn a negative into a positive, it can feel as if the world pushes back. Chelsey has dealt with this her whole life and yet hearing her story, I learned that she's never let that stop her.
Saigon is a city that never sleeps. On any given night, you’ll see families coming together, travelers meeting up, and strangers turning into friends. From smash burgers to shoyu ramen to snails galore, the city’s always ready to satisfy any and all late night food cravings.
Saigon is a city that never sleeps. On any given night, you’ll see families coming together, travelers meeting up, and strangers turning into friends. From smash burgers to shoyu ramen to snails galore, the city’s always ready to satisfy any and all late night food cravings.
Paper can be torn, burned, destroyed, but when thoughtfully cared for it becomes symbolic. The first time I encountered this work was at the LÔCÔ Art Market last year. I had never seen origami like it before and felt compelled to know who was behind it all. Months later, I finally met him, a twenty-eight-year-old contemporary artist, Dong—4.
Paper can be torn, burned, destroyed, but when thoughtfully cared for it becomes symbolic. The first time I encountered this work was at the LÔCÔ Art Market last year. I had never seen origami like it before and felt compelled to know who was behind it all. Months later, I finally met him, a twenty-eight-year-old contemporary artist, Dong—4.
The Vietnamese have the quán nhậu, the French have the bistro, and the Italians have the trattoria. While all of these eateries are great and I love every one for their uniqueness, none will ever top the izakaya. That's why I've got to tell you about Kaku.
The Vietnamese have the quán nhậu, the French have the bistro, and the Italians have the trattoria. While all of these eateries are great and I love every one for their uniqueness, none will ever top the izakaya. That's why I've got to tell you about Kaku.
Ever since she was a young girl, Tu has been fascinated with ideas. Sex. Love. Gender. Politics. Anthropology. Her curiosity for other people and how they think, feel, and act in the world knew no bounds. Nothing is ever fully off the table. Everything is up for debate.
Ever since she was a young girl, Tu has been fascinated with ideas. Sex. Love. Gender. Politics. Anthropology. Her curiosity for other people and how they think, feel, and act in the world knew no bounds. Nothing is ever fully off the table. Everything is up for debate.
A lot of my night's in Saigon have started or ended at Khoai. On top of reminding me of Shimokitazawa, a neighbourhood in my hometown of Tokyo, it ticks all the right boxes: the staff are friendly, the food and drinks never disappoint, and the ambience always puts you in the right mood.
A lot of my night's in Saigon have started or ended at Khoai. On top of reminding me of Shimokitazawa, a neighbourhood in my hometown of Tokyo, it ticks all the right boxes: the staff are friendly, the food and drinks never disappoint, and the ambience always puts you in the right mood.
Life often feels like an uphill battle. Whenever you try to change something, do some good, or turn a negative into a positive, it can feel as if the world pushes back. Chelsey has dealt with this her whole life and yet hearing her story, I learned that she's never let that stop her.
Life often feels like an uphill battle. Whenever you try to change something, do some good, or turn a negative into a positive, it can feel as if the world pushes back. Chelsey has dealt with this her whole life and yet hearing her story, I learned that she's never let that stop her.
Saigon is a city that never sleeps. On any given night, you’ll see families coming together, travelers meeting up, and strangers turning into friends. From smash burgers to shoyu ramen to snails galore, the city’s always ready to satisfy any and all late night food cravings.
Saigon is a city that never sleeps. On any given night, you’ll see families coming together, travelers meeting up, and strangers turning into friends. From smash burgers to shoyu ramen to snails galore, the city’s always ready to satisfy any and all late night food cravings.
Paper can be torn, burned, destroyed, but when thoughtfully cared for it becomes symbolic. The first time I encountered this work was at the LÔCÔ Art Market last year. I had never seen origami like it before and felt compelled to know who was behind it all. Months later, I finally met him, a twenty-eight-year-old contemporary artist, Dong—4.
Paper can be torn, burned, destroyed, but when thoughtfully cared for it becomes symbolic. The first time I encountered this work was at the LÔCÔ Art Market last year. I had never seen origami like it before and felt compelled to know who was behind it all. Months later, I finally met him, a twenty-eight-year-old contemporary artist, Dong—4.